Saturday, June 24, 2017

Bishop's Medievalist Comics and the American Century

With apologies to the author for the long delay:

Medievalist Comics and the American Century
By Chris Bishop 

University Press of Mississippi
 
224 pages (approx.), 6 x 9 inches, bibliography, index

9781496808509 Printed casebinding $65.00S
 

WHY SO MANY AMERICAN COMICS FANS AVIDLY FOLLOW MEDIEVAL HEROES

The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history.

From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor re ects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context.

Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.



CHRIS BISHOP, Canberra, Australia, teaches classics at the Australian National University. He has published widely on the history of late antiquity and the early Middle Ages, as well as comic book studies. In 2012 Bishop was awarded a Kluge Fellowship at the Library of Congress for his research.

 
 

Utz Reviews Bishop

The latest number (Vol. 27, No. 2) of Arthuriana has a review by Richard Utz on Chris Bishop's book Medievialist Comics and the American Century (more on this to follow).

You can read the review on Project MUSE (or preview you it if,like myself,you have no access to the site) at https://muse.jhu.edu/article/663297.

Update 6/24/17

Sorry to not have kept things up to date this past year.

Our session in honor of the eightieth anniversary of Prince Valiant on American medievalisms was not accepted for the 2017 ALA conference.

Michael Torregrossa
Founder and Blog Editor

Friday, January 6, 2017

Call for Proposals on The Medieval in American Popular Culture: Reflections in Commemoration of the 80th Anniversary of Prince Valiant

The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture is sponsoring a session on "The Medieval in American Popular Culture: Reflections in Commemoration of the 80th Anniversary of Prince Valiant." Complete details can be found at our main site at http://medievalinpopularculture.blogspot.com/2017/01/call-for-papers-medieval-in-american.html.