Friday, May 15, 2026

Kalamazoo 2026 Sponsored Session - Medieval Classics (Re)Illustrated

Here are the details on our sponsored session at this year's International Congress on Medieval Studies:


Medieval Classics (Re)Illustrated: A Medieval Comics Project Teamup (Hybrid)


61st International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)/Online through Confex

Session 369: Saturday, 16 May 2026, 1:30 PM - 3:00 PM EDT

Sangren Hall 3110 (hybrid)


Organized by Michael A. Torregrossa, Bristol Community College, and Siân Echard, University of British Columbia

Co-sponsored by Medieval Comics Project; International Arthurian Society, North American Branch (IAS/NAB); International Society for the Study of Medievalism


Presider: Rachael Warmington, Seton Hall University (rkw2111@gmail.com)



1 - What Makes a Hero? (In-Person)

Jehan Parker, Independent scholar

A focused genealogy of "hero" as an archetype in the chronology of Western Canon, seeking to explore the central question of "what makes a hero?" and grappling with the enormous and frenetic variance in the virtues embodied therein.

Jehan Parker is an independent scholar—this is their first presentation! It’s part of a larger project on the genealogy of hero mythology more broadly.



2 - Trans Thinking: Exploring the Productive Consonances between Medieval Arthurian and Contemporary Superhero Comics Storytelling through the Lens of Camelot 3000 (Remote)

Adrian McClure, Independent Scholar

The 1980s limited series Camelot 3000, with its ground-breaking transgender content, provides a useful jumping-off point to explore the myriad and mutually illuminating connections between the generic universe of contemporary superhero comics and Arthurian chivalric romance, especially with regard to gender binaries and the interrelationship of embodiment and personal identity.

Adrian McClure is an autistic independent scholar whose research focuses on the intersection of gender and religious identity in medieval literature. They published an article in Speculum on the Chanson de Roland as a multi-layered, theologically inflected text, and an article in Arthuriana's special comics issue on trans Arthurian themes in Grant Morrison's Shining Knight and Luda. They are finishing a book on the thirteenth-century Perlesvaus as a work of trauma fiction tied to the Albigensian Crusade. Their new book project explores nonbinary gender in Arthurian literature, from Chrétien de Troyes through present-day Marvel and DC comics.



3 - An Unlikely Heroine: The Challenges of Depicting Joan of Arc in Bandes Dessinées (In-Person)

Deborah L. McGrady, Univ. of Virginia

This presentation examines the representation of Joan of Arc in French comics from the 1890s through 2023 with specific attention given to how the Maid's story, her appearance and her expression are constrained by misogynistic and conservative values that hold enduring influence in the comic world.

Deborah McGrady, professor of French and Director of Medieval Studies at the University of Virginia. She published a monograph last May on Joan of Arc: The life of a French Cultural Icon. The work she is presenting today is a spinoff of that work.



4 - Hermetic Text as Metafictional Artifact: Medieval Arcana in Recent Graphic Novels (In-Person)

Andrew Hartzell, Independent Scholar

This paper will highlight contemporary graphic novels that feature arcane Medieval texts as framing devices or nested narratives. We will explore the ways in which these cartoonists retrieve and/or subvert premodern mystical genres toward postmodern ends.

Andy Hartzell is a cartoonist, designer, independent scholar and recent transplant to Kalamazoo. He’s contributed to several award-winning anthologies, and his most recent graphic novels are available through Uncivilized Books. In a previous life he designed video games, educational toys and VR experiences at Google and elsewhere.


Thursday, May 14, 2026

Kalamazoo 2026 Workshop : The Medieval Comics Project Bibliographies

We're sponsoring another workshop session this year at the International Congress on Medieval Studies. Here are the details:


The Medieval Comics Project Bibliographies: Resources for Finding and Accessing Comics and Critiques (Workshop) (Virtual)

61st International Congress on Medieval Studies

Western Michigan University (Kalamazoo, Michigan)/Online through Confex

Session 421: Saturday, 16 May 2026, 3:30 PM - 5:00 PM EDT


Organized by Michael A. Torregrossa, Bristol Community College, and Carl B. Sell, University of Pittsburgh


Co-sponsored by Medieval Comics Project, Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture


Workshop Leader: Michael A. Torregrossa, Bristol Community College


This workshop session will highlight the recently launched Medieval Comics Project Bibliographies (https://tinyurl.com/MedievalComicsProjectBiblios), an open-access resource devoted to spreading knowledge of comics based on medieval subjects and furthering discussion and debate of this material. Presentations will include support in finding and accessing comics themselves, a review of how to find and access criticism of this corpus, and a walkthrough of the Medieval Comics Project Bibliographies’ site and its various components devoted to specific elements of the medieval in comics and related media. Making use of the unique nature of the workshop format, time will be allowed for participants to explore the resource, ask questions, and offer feedback. 




Out Now - Medieval Spaces in Comics: Affect and Ideology

I seem to have missed posting on this. My apologies.


Medieval Spaces in Comics: Affect and Ideology

Elizabeth Allyn Woock


Full details and ordering information at https://link.springer.com/book/10.1007/978-3-031-66493-9. 


Explores the communicative possibilities of the comics format

Brings a comics-based research methodology to the study of space, atmosphere, affect and mood in comics

Layers in a nuanced approach to the depiction of medieval environments

Part of the book series: Palgrave Studies in Comics and Graphic Novels (PSCGN)


About this book

This book proposes a conceptual framework for analyzing and discussing narrative space in comics. Building on Mieke Bal’s phenomenological approach to cultural analysis (2002), Gaston Bachelard’s Poetics of Space (1996), and Geraint D’Arcy’s use of the mise en scène to describe space in the comics format (2020), this book layers in a nuanced approach to the depiction of medieval environments through affect theory and poetics to interrogate the staging of ideas which are associated with the medieval period. Considering the action, setting, and story – as well as affect, atmosphere, and mood – medieval space is contextualized as an ethically complex poetic image. This book also explores the communicative possibilities of the comics format, and seeks to show rather than just tell the methodologies of space in comics-based research through illustrating key sections of the text.


About the author

Elizabeth Allyn Woock is an assistant professor in the Department of English and American Studies at Palacký University in Olomouc, Czech Republic. Her work focuses on medieval history and medievalisms, as well as comics studies and comics-based research. She is interested in exploring how the comics format can be harnessed for academic writing and takes every opportunity to explore this methodology.