My thanks to Kevin J. Harty for alerting me of this collection, which contains two items of interest:
From Iceland to the Americas: Vinland and Historical Imagination
https://manchesteruniversitypress.co.uk/9781526128751/ (with full contents)
Edited by Tim William Machan and Jón Karl Helgason
Book Information
Format: Hardcover
ISBN: 978-1-5261-2875-1
Pages: 304
Publisher: Manchester University Press
Series: Manchester Medieval Literature and Culture
Price: £80.00 / $120.00
Published Date: April 2020
Description
This
volume investigates the reception of a small historical fact with
wide-ranging social, cultural and imaginative consequences. Inspired by
Leif Eiriksson's visit to Vinland in about the year 1000, novels,
poetry, history, politics, arts and crafts, comics, films and video
games have all come to reflect rising interest in the medieval Norse and
their North American presence. Uniquely in reception studies, From
Iceland to the Americas approaches this dynamic between Nordic history
and its reception by bringing together international authorities on
mythology, language, film and cultural studies, as well as on the
literature that has dominated critical reception. Collectively, the
chapters not only explore the connections among medieval Iceland and the
modern Americas, but also probe why medieval contact has become a
modern cultural touchstone.
Contents
11 'Who is this upstart Hitler?': Norse gods and American comics during the Second World War - Jón Karl Helgason
12 'There's no going back': The Dark Knight and Balder's descent to Hel - Dustin Geeraert
Editors
Tim William Machan is Professor of English at the University of Notre Dame
Jón Karl Helgason is Professor of Icelandic and Comparative Cultural Studies at the University of Iceland
The Medieval Comics Project, sponsored by The Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture, is an ongoing effort conducted by a small (but dedicated) group of comics scholars, Arthurian enthusiasts, and medievalists to compile a comprehensive listing of the representations of the medieval in the comics medium. The corpus is international in scope and extends as far back as (at least) the 1920s. We welcome your help in achieving our goal.
Showing posts with label World War Two. Show all posts
Showing posts with label World War Two. Show all posts
Sunday, June 7, 2020
Saturday, September 22, 2018
Morrison on Beowulf. Leggenda cristiana dell’antica Danimarca
New well-illustrated article on Beowulf in the comics:
Morrison, Susan Signe. “Grendel’s Mother in Fascist Italy: Beowulf in a Catholic Youth Publication.” International Journal of Comics Art, Vol. 20, no. 1, Spring/Summer 2018, pp. 331-48.
Morrison includes the following information about the essay on her blog (http://www.susansignemorrison.com/blog.htm?post=1084681):
Morrison, Susan Signe. “Grendel’s Mother in Fascist Italy: Beowulf in a Catholic Youth Publication.” International Journal of Comics Art, Vol. 20, no. 1, Spring/Summer 2018, pp. 331-48.
Morrison includes the following information about the essay on her blog (http://www.susansignemorrison.com/blog.htm?post=1084681):
I’m delighted that my article “Grendel’s Mother in Fascist Italy: Beowulf in a Catholic Youth Publication,” has just been published in the International Journal of Comic Art. This essay focuses on a 1940-41 Italian comic book version by Enrico Basari (author) and Kurt Caesar (illustrator). An anti-semitic portrayal of Grendel’s Mother grows out of German views of Beowulf in the 1930s. The anti-semitic overtones present in German Beowulf youth translations and adaptations sympathetic to Nazi German propaganda, produced in the decade before and simultaneously with the publication of the comic under scrutiny here, likewise crop up under the Italian fascist reign. The fraught nature of Grendel’s Mother takes on insidious dimensions in Enrico Basari’s Beowulf. Leggenda cristiana dell’antica Danimarca, appearing in serial form from Oct. 5, 1940-Jan. 25, 1941. It was featured in Il Vittorioso, a Catholic youth publication, “a nationalist publication often distributed through Catholic parishes” (Calderón, 2007:112), that attempted to go beyond mere Fascist propaganda for young people. Just how could an anti-semitic inflected Beowulf comic have affected youth readers?
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